Some albums arrive like postcards. Others like warnings. Cl ay and Harto Falion’s new project, self:destruct 20:20 demo:lition , feels like a transmission intercepted from a collapsing future. It’s chaotic, intentional, glitch‑scarred, and strangely beautiful — an album that doesn’t just sound like destruction, but studies it, toys with it, and ultimately rebuilds something new from the rubble. This is not a passive listen. This is a controlled detonation. 🧨 The Concept: Breaking the System to See What’s Inside At its core, self:destruct 20:20 demo:lition is a meditation on digital decay — what happens when identity, memory, and sound are pushed past their breaking points. Cl ay brings his signature fractured‑melody sensibility, while Harto Falion supplies the architectural backbone: metallic percussion, distorted ambience, and a sense of scale that feels almost cinematic. Together, they create a world where: Glitches become rhythms Errors become motifs Silence becomes a w...